Nothing to Protest

By Amanda Meade

Contributing Reporter

According to punk rock band Protest the Hero’s Web site, “Babies will cry on January 29,” for this date marked the release of the band’s second full-length album, “Fortress.”  


Two years after the debut release of “Kezia,” the Canadian quintet is back with an incredible piece of work and a noticeable progression toward a more metal, technical sound. 


Although Protest the Hero shares the Vagrant Records label with bands like Dashboard Confessional and Saves the Day, don’t let that mislead you — this band is as hardcore as they come.


“Fortress” is capable of hooking its audience with its first 30 seconds. 


The album is split into three separate movements, the first titled “On Conquest and Capture,” which contains the first three songs, and “Isoceles” the movement of the last three songs. 


Bassist and lyricist Arif Mirabdolbaghi spoke of the themes of the new album, which consist of goddess worship and the suppression of females. 


The sound the band brings in this album can be compared to the hardcore ways of Every Time I Die, and the guitars come close to those of Dragonforce.


In the track titled “Limb over Limb,” Dragonforce’s Vadim Pruzhanov actually accompanies the band with his talents on the keyboard. Protest the Hero’s Rody Walker’s vocal ability has always been amazing, although his throaty screams and singing talent are more polished than ever. 


Every musical aspect of this band has progressed, especially the guitars, which promise to melt your face off. 


Songs like “Seqouia Throne” and “Spoils” have intricate guitar work, which is unique to the band. 


“Fortress” brings a raw, intense and hardcore sound, while being passionate and beautiful at the same time. 


Protest the Hero is currently on a Canadian tour, but will make their way around the U.S. with Devil Wears Prada and

Silverstein in the spring.


They will grace the stage of St. Andrew’s Hall on March 28. Tickets are $16.50.