Photo Courtesy of Poetry Foundation
“The problem of the Twentieth Century is the problem of the color-line.”
These words, written in 1903, from the opening paragraph of W.E.B. Du Bois’ “The Souls of Black Folk” constituted his thesis that the Civil War was not the transformative moment in U.S. race relations that Abraham Lincoln had hoped for. Du Bois’ pursuit of racial progress in post-Reconstruction era America was marked by many of the same obstacles that civil rights activists are confronting today.
Among other horrid distinctions, 2020 will carry historical notoriety as being yet another year in U.S. history defined by issues of race.
COVID-19 proved itself uniquely capable of pulling back the curtain of American exceptionalism, effectively dragging all lingering skeletons of our nation’s foundational sin of white supremacy out of our closet for the world to see.
The pandemic disproportionately impacted African Americans, with the community seeing higher infection, mortality and unemployment rates than other demographics.
As if this weren’t bad enough, the injustices of police brutality once again rose to the forefront of public consciousness following the lynching of George Floyd by police officers in Minneapolis.
Following an explosion of protests across the globe in solidarity with the Black Lives Matter movement, African Americans faced a new wave of racial resentment stoked by public officials and media figures. This backlash turned violent, leading to a spike in hate crimes.
This renewed racial tension culminated in the aftermath of the presidential election, when Republican officials made efforts to block certification of votes from Wayne County, MI. Specifically citing irregularities in Detroit, a city consisting of 78.6% African Americans, as justification for their actions.
As these racial injustices continue, the work of Du Bois seems a critically important piece in the intricate puzzle of race relations in America.
In our current racial climate, the ideas expressed in his collection of essays “The Souls of Black Folk” have become an invaluable historical resource for contextualizing the struggles of African Americans and how real racial progress can be achieved.
Du Bois’ words from 117 years ago, “The Nation has not yet found peace from its sins; the freedman has not yet found in freedom his promised land,” now seem almost hauntingly prophetic as the U.S. continues to face the consequences of failing to live up to its founding ideals of providing all citizens with a right to life, liberty and the pursuit of happiness.
“The Veil”, his metaphor for describing the separate racially divided worlds existing in America, seems more relevant than ever given the underlying social and economic conditions that have allowed the pandemic to ravage the African American community.
His theory of a black “double-consciousness”, defined by him as “this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt”, seems like a spot on description of the inherent double standards that make it hard for African Americans to excel in today’s society.
His criticism of Booker T. Washington established a crucial foundation of intellectual variety in the African American community. His outspoken disapproval of Washington’s approach to achieving racial progress helped establish the precedent that black intellectuals were not a monolith of beliefs.
This precedent is especially important for the modern BLM movement, as the push for racial equality faces an onslaught of moderate opposition.
Recently, opposition even came from former President Barack Obama. Using his voice as the most prominent African American in the world, Obama sat down for an interview last month and criticized the “defund the police” slogan as being too divisive.
Acting as a modern day Washington, Obama used the interview as an opportunity to peddle his usual tranquilizing drug of gradualism to the masses. Fueled by the urgency of now, BLM supporters fired back at Obama by pointing out the human lives being lost to police violence.
Du Bois himself exemplified this kind of urgency by using his work to portray the magnitude of the issue of race in America. His advocacy for black suffrage, equal education and economic opportunity were all tied to his fundamental belief that — if allowed to cultivate their traits and talents, African Americans would meet and contribute to larger American ideals.
To Du Bois, issues of race concerned all Americans. “The burden belongs to the nation, and the hands of none of us are clean if we bend not our energies to righting these great wrongs.”
Until we all embrace our burden in reconciling race relations in America, the U.S. will continue being defined by the problem of the color-line.